In all, I’m Always With You is an experience that is shrouded in discomfort and intrigue, but it is also beautiful in its composition, showcasing the best of the ensemble’s teamwork, training and playfulness.

Meet my mop!

The current score I’m presenting is a manifestation of that grief, of having things in my possession, and watching them slip out of my fingers like sand.

In the twenty-something years of living, I have collected enough memories to fill up the sea. I happened to get on a boat that was going to sail through these waters. Destination: Unknown.

I think I’m doing it? I honestly don’t know. So many ‘I don’t knows’ but also… that was a nice moment, I think. I don’t know.

Small grunts become loud exhales, a pointed finger becomes a smeared hand of…whatever the person was thinking of.

Small grunts become loud exhales, a pointed finger becomes a smeared hand of…whatever the person was thinking of.

The more I engage with the process, the more difficult it seems to get.

The first time I allowed myself to let go, I was confused. I had fallen but I was not hurt.

Overall, I learnt that I need to be open to being taken in the moments and even though I’m not there yet at least I’m aware of it. And that is important. It is a work in process and that is fine.

I dont have an answer at all.

One valuable thing that I’ve learnt from this experience is to stop trying to do things for people.